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Open House Miniatures - dolls house Halloween pumpkin head, lanterns and bat garland

The lens on my camera – a Sony cybershot – bends pictures at the edges. I have to crop to the centre of the image in order to have an un-distorted picture : )

I very rarely make anything specifically, in miniature, for Hallowe’en, but this year I tried out an old recipe for papier mache and made a Jack o’ lantern that can be illuminated.

dollhouse light up jack o' lantern

In this photo, the head is sitting on a book light.

For this sort of papier mache you dissolve paper in a glue solution and use the resulting gloop as modelling medium. As the mixture is predominantly water, it tends to shrink dramatically as it dries and I ended up with a rather wrinkled looking head. Maybe it has been alight all night, or possibly it is a warty squash rather than a pumpkin.

The glue traditionally used for this type of papier mache was wallpaper paste. I read somewhere, at some point, that wallpaper paste was, at one time, made from flakes of potato starch. Whatever it is made from today, it usually also contains at least one fungicide and all the brands that I looked at carried warnings about not getting it on your skin. This being so, please read the instructions on your packet of wallpaper paste if you decide to try out the following mix :-

  • 1 part water (I used 1 desert spoon)
  • 1 part paste (I used 1 desert spoon)
  • sufficient moistened paper to beat into a thick paste (I used toilet paper; this is designed specifically to fall apart in water and using it reduces the amount of beating required.)

Because of the way it shrinks as it dries, I am not sure that the resulting mix is suitable for fine modelling but I think it would make an excellent, light-weight surface for a roughly finished wall.

If you would like to make a hollow pumpkin head of your own, air drying clay or fimo might be a better option.

I made mine around a ball of paper handkerchief, covered in cling film and supported on a stick. If I had thought to use a piece of dark coloured tissue paper, around the paper handkerchief ball, it would have made seeing what I was doing, while I was making the face, a great deal easier.

papier mache pumpkin head moulded around a ball of tissue, covered in cling film

When the head was dry, I removed the stick and pulled out the paper handkerchief and cling film.

I think that the papier mache recipe is from a book called ‘The Toymaker’. I did write down that the book was published in 1882 and that the mix was originally used for making a mask. But I don’t have a copy of this book and only wrote down some of the things that I wanted to try out.

While looking for a copy of ‘The Toymaker’ on-line (I am ever hopeful) I did come across a rather nice site called ‘The Toymaker’. On it there are a great many paper based projects to download for free. The owner of the site, Marilyn Scott Walters, is an author and has several books of paper toys on Amazon. I think her work is inventive and great fun – and so well designed that much of it could be reduced in size and made in miniature. Here is just one example :-

marylin scott thomas - the toymaker- fairy market - to make

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Making the supposed-to-be-a-pumpkin head reminded me of these.

miniature paper lanterns in various colours

I know these as ‘Chinese Lanterns’ and they have been made, in one form or another, for many years.  They are certainly not my own invention. I think they are fun to make full-size, in pretty papers, for birthday and Christmas decorations. Ideally I would have liked to make these miniature ones in brightly coloured origami paper. This is beautifully thin and holds its shape well but I didn’t have any, so instead I coloured some thin (75 gsm) printer paper coloured with indelible ink pens.

If you decide to make these and colour paper in this way too, please put something under the paper that you are using as spirit-based inks tend to go straight though thin paper and they will stain the surface underneath.

NB If you use an ordinary felt pen the ink will, in my experience, run when it comes into contact with glue – any sort of glue.

In this case I used ASDA own brand pens, but you can only buy these in-store. For nice colours, including a range of neon, Sharpie pens are possibly my favourite craft pen available on-line at the moment.

when using an indelible marker, put scrap cardboard under thin paper

This is how I made the lanterns:

First I cut an inner piece of paper to make the central cylinder. The example in the photograph is tissue paper. The gold flecks glint nicely in real life but do not show up at all in my photographs of the finished lanterns. I wrapped this paper around a 10 mm (plastic) knitting needle and glued it together with water based glue.

making a miniature lantern - tissue paper around a knitting needle

10 mm knitting needles are approximately old style 000 in the UK, or size 15 in the US.

The paper will shrink as it dries, so it is important not to wrap the paper too tightly around the knitting needle. If you do, you may have trouble getting the completed lantern off the needle.

Next I cut a piece of paper a little bit bigger than the inner paper, folded it in half lengthwise and made a series of cuts, along the entire length, at right angles to the folded edge.making a dolls' house miniature lantern - cutting slits in the paper

When this is unfolded the shape of the lantern began to emerge.

making a miniature lantern - unfolding the paper

Next, I glued one long, outer edge to the top edge of the inner cylinder.

making a miniature lantern - gluing the top edge in place

Then, when this was dry, I pushed up the other edge, applied glue to the edge of the inner cylinder and then lowered the outer casing into place.

making a miniature paper lantern - easing up the outer paper

While this is drying, I cut a strip of paper for the handle.

making a miniature paper lantern - fixing the handle in place

Then I glued this in place, slid the lantern off the knitting needle, and fixed the other end of the handle in place with another dab of glue.

The smaller lanterns are made by exactly the same method, but around a pencil instead of a knitting needle.

The width of the paper, and the size of the cuts made in it, affect the overall appearance of the lantern a great deal. The two sizes that I made are in the following pdf –

OHM_181005_chinese lantern

*   *   *

Having found my ink pens and having them to hand, I thought I would experiment with an idea that I had for a garland of bats.

The idea was to make a 3D bat. It was an interesting idea, but I don’t think that I succeeded in making a particularly good bat shape and, in an effort to make the bats look more 3D, I ended up adding some flat pumpkin heads to the garland.

First I printed the bat shape on the thin printer paper that I had used for the lanterns.

They are rather small, so I cut them out roughly and scored the fold lines. Then, to make the folding easier, I cut away some of the paper and folded the bat shape.

I then flattened them out again, finished cutting round the outline and coloured them black – with an indelible marker pen.

miniature bat shape

I used black cotton for the string of the garland. The cotton wanted to curl and twist when it came off the spool, so I dampened it and lay it on a formica counter top to dry straight and flat.

doll house miniature bat garland on a cotton thread

I glued the bat shapes to the cotton with a dab of white wood working glue. This will peel off the formica, leaving the bat shape stuck to the cotton thread.

While the glue was drying I cut out some small pumpkin heads and then…

miniature pumpkin heads for a dollshouse garland

…used these to fill in the gaps between the bats.

bat and pumpkin head dolls' house garland

The pdf for the small pumpkin heads that I used in the garland is here: – OHM151102_halloween_pumpkin_heads

The pdf for the small bats is here: – OHM181004 _mini_bats

*   *   *

Now for some things that are just printable 😀

Creative Beacon have some useful looking bat shapes (for free). I would have used these, if I had found them before embarking on my own bat design  : –
creative beacon - bat shapes for hallowe'en

My own collection of Hallowe’en related images is paltry, but here they are: –

Halloween jack o lantern pumpkin headHalloween jack o lantern pumpkin headHalloween jack o lantern pumpkin headHalloween jack o lantern pumpkin headHalloween jack o lantern pumpkin headHalloween jack o lantern pumpkin headHalloween jack o lantern pumpkin head

Halloween witch head profile

halloween house - microsoft clipartHalloween - witch on broomstickHalloween witch and cauldronHalloween witch and cauldronHalloween - old lady and catHalloween - old lady and cat

Halloween - black catHalloween - black cats

Halloween - crescent moon catHalloween - crescent moon owlHalloween - crescent moon witch

Halloween - card - pumpkin and couple with appleHalloween card - old lady and cat

Halloween - young girl and pumpkin head

How you spell Halloween seems to depend on how old you are and where you were born. I think that Halloween should be spelt (and not spelled) Hallowe’en, which apparently makes me very old and British. (Any pun making is usually unintentional: this time it was irresistible.)

Part of a card - Dolly Dingle doll with witch's costume for Halloween

Finally, time is running out on the Giveaway in the previous post so, if you would like the chance to win a miniature nativity set, please don’t delay entering.

The giveaway ends 22nd October 2018, at midnight, UK time.

[Regular readers probably know by now what I am going to say about any adverts at the bottom of this post – they aren’t put there by me: WordPress needs to fund its blogging service. I could pay a small fee to have them removed, but have chosen not to do this.]

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A M Davis (London) Cut Out and Colour Farm Set

(Apologies for the poor quality photo. Mission: BUY A CAMERA THAT WORKS is in progress.)

There is something about the original set of cards for this farm set that baffles my scanner. The full-size prints looked all right, but all sorts of odd things happened when I tried to scan them back into the computer, or to resize the scanned images on screen.

Luckily, in our local newsagents, there is a photocopier that appears to be ancient and decrepit. It wheezes and rattles and hesitates and then produces photocopies on white-hot paper. More importantly, in this particular instance, it is so low-tech that it just copies things and does not do whatever it is that my scanner does.

I can’t honestly say that the photocopies it produced for me earlier this week are the cleanest I have ever seen, but they have made this blog post possible and I came home with a sheaf of paper and the feeling that things were now going to go well.

My scanner, however, being defeated in its attempts to thwart me, had evidently communicated with my printer, which promptly decided that it was about to run out of ink. (No, I don’t keep spare cartridges to hand. I am convinced that the minute I stock-pile some the printer will stop working altogether.) And this is why the test run that I printed, instead of being black and white, has a blue-violet tinge to it. Even taking the ink cartridges out and shaking them and re-inserting them did not help this time.

A M Davis (London) Farm Set to Cut Out and Colour

While I was coaxing the last sheet out of my printer My Nearest and Dearest (one of My Nearest and Dearest) conceived the idea that it would be rash to release a whole farm set into the unsuspecting universe as they might be copied and used to produce fakes.

I honestly can’t imagine why anyone would wish to do this, or that it could possibly be worth anyone’s while to do it. But, as the matter had been raised, I promised that I would make it as clear as I could that this is NOT a complete set and that there are only 8 cards reproduced in the pdf below (and there should be, as far as I know) 12 cards in total.

Anyway, to shorten what is turning into a long story, I used thin, cheap card for my example and was pleased at how well everything fitted together.

Ideally, if I make the full size set again, I think I will use 200gsm card. Then it would be possible to cut around the legs of the horse and in between the wheel spokes, without fear of them becoming too flimsy.

So now, without further ado, here is a pdf of the large size farm set: Paper_Model_Farm_AM_Davis_OHM20170601

And here is ‘dolls’ house size’ farm set (it isn’t 12th scale):
Miniature_Farm_AM_Davis_OHM20170601m
The positions of the folds and cuts can be seen in the pdf for the bigger version.

NB: These are for your personal use and enjoyment, please do not re-print them and sell them as modern, vintage or antique cards or card sets.

A M DAVIS farm and garden - colour

Photograph – but not taken by me

There is a pdf for the colour version (just the house and garden, as shown above):
OHM_Farm_and_Garden_20170524 and the basic instructions for putting it together are in a previous post here

Finally:

My Nearest and Dearest, having triumphed in the ‘What About Fakes?’ debate, and asked to be a Severe Critic and read this before I pressed the Publish Button, suggested that it might be a good idea to explain why I going to the bother of getting a decent print of this cut-out paper model, not to mention why am I making part of it available here.

The short answer is that I need a decent print for a project that I am working on.
And, having tried the full-size model out, I think it would be a pity for it to vanish back into my ‘Why Have You Got This and Can You Get Rid of It?’ box.
And I hope that if you enjoy paper models you will have fun with it too.

 

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You may have noticed that, although I do mention other websites and blogs from time to time, I don’t have a side-bar list of links on display.

This isn’t because I don’t appreciate the work of other bloggers, but because I know that I don’t have the time to maintain an up-to-date list.

WordPress statistics tell me that the following websites and bloggers have been kind enough to host a link to my blog this year and  over the past month I have checked that the links are live.

I look forward to doing more in-depth reading over the Christmas Holidays, with many thanks to all the following:

MINIATURES

Dada’s Dollhouse

Bickersgracht in miniature

Nuestras Minis – miniatures

Maria Inez Garibaldi

Kunnen nukkekoti

Minitarinat

Miniature Dreamworld – miniatures

Mini Foreningen

Le Petit monde Merveilleux de Marie

Villa Rendezvous ja muita tarinoita – miniatures

Wasting Gold Paper

Anajah’s Favoriten – a collection of dolls’ house projects to do

Dolls’ House Past and Present – miniatures and quarterly on-line magazine

So Mini Projects

One Tiny Little Thing

And then there are:

PRINTABLES

Jennifer’s Printables – printable things for miniature homes

Amy’s Wandering – printable nativity scenes, other printables and home schooling

PAPERCRAFT

Papermau – papercraft, models to make

Tektonen – papercraft, models to make

PaperCraftSquare – papercraft, models to make

AND

The National Museum of Toys and Miniatures

Minitreasures – a Wiki for miniatures

Freubelweb – crafts, paper projects

* * *

Finally, a special mention for littleglitterhouses.com, which has downloadable plans for many small building projects, some of which can be adapted for miniature use.

open-house-miniatures-christmas-2015-glitter-houses-and-bird-tree

I was looking for information on nativity sets when I came across the website and was amused at the way little snow scene houses (aka “putz”, or “glitter houses”) have travelled around the world and the ways in which they have changed in design as they did so.

For the record, these little houses  existed in the UK too. I can remember, when I was very young, helping to make a small village (there was even a postbox!) from cereal box card and gummed coloured paper. The glitter that we used came in a box and the flakes were large, flat and translucent – fascinatingly and memorably different to the silver glitter that came in a glass tube.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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paper model kiosk - paper nativity download - free

This is going to sound rushed, because I am supposed to be doing something else this morning, but I saw this and I thought it was too good to miss.

crechemania - paper model kiosk - excellent quality - free nativity download

Paper Model Kiosk (aka Crechemania) have a very large collection of downloadable paper nativities on their entrancing, enthralling, amazing website. Some of them, like the miniature example above are free. (Miniature in this case = 3 x 1.5 x 3.5 inches)

The downloads page for all their nativity sets is here.

To use the site and receive a download, you need to register your email address.

When you ask for a free (I MUST NOT, (cannot) buy them all, although I want to) download, a link that is live for one hour is sent to your email address. By clicking on the link in the email, you are re-directed to the Crechemania website and can then download a pdf of your selected nativity.

I have just tried this out and encountered one minor problem – the registration part of Paper Model Kiosk’s site did not work smoothly for me in Firefox. It was, however, fine in Google.

I am going to repeat the Crechemania Free Download Service agreement here :-

By using this Crechemania Free Download Service I agree with the Crechemania.com download policy; that these downloads are copyrighted material; that they are for my personal use only. I may download as many items as I wish; as many times as I wish; print as many as I wish; assemble as many as I wish; give away as many as I wish. But I may not sell them; offer them for sale on Internet sites; post these as Downloads on my Web site; or mailing lists; and I agree to the receipt of Crèchemania.com email notices and newsletters about crèche downloads, news, and information; and I understand that I may receive periodic emails notifying me of Chrèchemania news and updates.

Afterword

Any advertisements that you see on this on this blog page, are not mine.

WordPress has to fund this “free” weblog service somehow and so they sell advertising space to third parties

I could, by paying WordPress a small amount of money, stop the adverts appearing here.

I haven’t done this – and considering that I could buy a couple of nativities for the same money, can you blame me?

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Open House Miniatures - Spoonflower - Test Fabric

It is certainly possible to print onto fabric at home (See Bits and Pieces for an example) but it is not something that I would encourage anyone to do, unless they have a printer that can cope with fabric.

The printers that I buy are designed  to print letters and invoices etc, and they tend to jam if I ask them to print on anything much thicker than thin card.

This being so, I only attempt to print onto fabric when I know that my printer is about to expire and I am going to need a new one soon anyway.

There are other reasons for getting fabrics commercially printed. Here are some random examples –

  • Cost – believe it or not, given the price of ink, it is actually cheaper for me to go to a proper print shop and get my printing done there – and not have the bother of maintaining a very expensive piece of machinery.
  • Dust – fibres from fabric will inevitably get into the mechanism of the printer – even though I am scrupulous about No Loose Threads.
  • Size / quality of print
  • Guaranteed colour-fastness of a fabric print (Some people recommend using Bubble Jest Set – I haven’t tried this (yet) as I find that simply boiling cotton fabric works sufficiently well for me.)

However, generally speaking, I would say that getting a fabric commercially printed is a costly and time-consuming business – and very often you are expected to buy yards and yards of the finished product too.

Given all this, I have been eyeing up Spoonflower (rather skeptically) for a while and wondering if I could justify the time involved in preparing some files to their specifications.

In the end I had an “If Not Now When?” moment and uploaded a large design which I had ready. (This had not been tweaked to fit any of Spoonflower’s recommendations – which was very unfair of me.)

And the result was ?

  • I uploaded the design on a Friday and paid for a proof to be sent to me. ($6 in total for one sample)
  • My 8 inch x 8 inch proof was posted to me on the following Monday. (20.3 x 20.3 cm)
  • The proof arrived the following Tuesday. (I am in the UK and Spoonflower is in the US.)
  • I sat and looked at it and thought – This is pretty amazing. There must be something wrong with it.

But there isn’t.

The sample was folded when it arrived – and neatly creased along the folds.

So I washed it.

Open House Miniatures - Spoonflower - Test Fabric washed

and ironed it on the reverse (I always iron printed fabrics on the reverse).

Open House Miniatures - Spoonflower Test Fabric - Ironed

I had asked for a sample in the cheapest  fabric available and this is very fine and smooth (and slightly transparent).

It is also looks unbleached and is very slightly creamy in colour, and this does affect the colour of the print.

(The fabric on the left and the paper print on the right – again, this is an unfair comparison as I can only print in CMYK and Spoonflower prints in RGB).

Open House MIniatures - Spoonflower Test Print - colour comparison

I would say that, on this fabric,  the print quality is excellent, with very minimal colour bleed.

(The ruler is showing millimeters).

Open House Miniatures - Spoonflower Test Print - minimal colour bleed

But what made me smile most was the one of the nicest compliment slips that I have seen for ages.

Open House Miniatures - Spoonflower fabric compliment slip

This fabric by Khandisha is here
http://www.spoonflower.com/fabric/2077900

And the thing that made me laugh when I saw it…?

(You will need to take a look at my previous post to understand why.)

Open House Miniatures - How big is this

I really must see if I can get some American coins, mustn’t I?

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In conclusion, am I planning to see if Spoonflower can handle some very small prints?

I am very tempted to, and if I do I will report back – with a sample book of the various materials available and a ruler !

***   ***   ***

If you would like to visit my Spoonflower page in the meantime, it is here –

http://www.spoonflower.com/profiles/elizabethp

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Yootha Rose - British Pathe News Film Footage

I have just had a piece of really good luck.

I have been looking everywhere on-line for references to someone called Yootha Rose and it turns out that she is this month’s

“Personality of the Month” on the Royal Pavillion, Museums & Libraries website

I don’t know how long her (very) short biography is going to be available there –

Yootha Rose was born in Australia in 1899 when her father, the singer Charles Rose, was touring with Nellie Melba.

Afterwards the family returned to England and, when she was 18, Yootha joined a concert party and entertained troops during the First World War. She then went on to design sets for various West End musicals.

During the Second World War, she taught at a school in Dorset and it was here that she began making toys. She was a success, making 16 toys for the ‘Britain Can Make It’ exhibition and received orders for 40,000 more.

She also provided toys for royalty, including a roundabout for Prince Charles and dolls for Princess Anne.

Using pottery, wood, paper and fabrics, she created a wide range of toys, from carved wooden balloonists to tinsel angels.

In 1952, Yootha was appointed a trustee of the National Toy Museum. Seven years later she became its Honorary Curator. The Museum moved to the Grange in Rottingdean in 1959 and the collection was taken over by the Brighton Corporation in 1971.

It finally moved to Hove Museum & Art Gallery where many items from the collection are on display in the Wizard’s Attic gallery.

***   ***   ***   ***

Why I am looking for information on Yootha Rose is a long and involved story (with which I will not bore you).

Part of the very, very involved explanation is that a couple of weeks ago I was trying to think of dolls’ house / miniatures related places to visit (in the UK).

They certainly exist in the real world, but finding them on- line is well-nigh impossible.

Try  finding photographs? – forget it !

***   ***   ***   ***

I am now going to make some sweeping (possibly untrue) generalisations, but please bear with me –

Generalisation Number 1

The culture in the UK is literal and literary.

We write words here. Shakespeare, Milton, Donne, Swift, Addison, Bronte, Austen, Thackeray, Dickens, more that I can possibly name, Terry Pratchett…

(People like Robert Adam did “useful” things like architecture.)

Pictures are not very “useful”. They maybe nice to look at but they are not “useful” – unless they are a diagram and come with a nice written description.

This gives me a bit of a problem when someone asks me if there is anywhere they can go to look at dolls’ houses and miniatures in the UK.

I can tell people about –

The Bethnal Green Museum of Childhood

(their virtual tour doesn’t work on my computer)

and

The Museum of London (London Wall site)

I can suggest to people that they should visit places such as –

Spencer House

(Never mind the (wonderful) model that Mulvany and Roger’s created, you can walk around inside the real thing).

and

Hever Castle

(The last time I visited Hever, John Hodgson’s (very fine) models were still on display, but I can’t find a reference to them on the Castle’s website).

(I have called the above “models” and not dolls’ houses on purpose. Words matter.)

I can then suggest that people (once they know what to look for) visit Flickr, or Picasa, or their photo-sharing site of choice, in the hopes that a nice person has been allowed to take photographs.

However, in most places you are –

 Not Allowed to Take Photographs and Will be Asked to Leave if you Do.

I don’t blame the museums / galleries for this apparent lack of understanding.

I have been to Paris once in my life, and the trip contained a visit to The Louvre.

I was bemused at the way a number of visitors dashed around taking photographs of everything with their mobile phones.

They didn’t appear to be looking at anything, just dash, stop, hold up phone, click, next, dash, stop, hold up phone, click, next…

But then, art galleries are (if you ask me) fairly weird places anyway.

The paintings weren’t painted to be displayed like that, were they?

If you can make only one trip this summer, it must be to Houghton Hall in Norfolk. Over a period of five months, Houghton will stage one of the most outstanding exhibitions ever seen in a British country house. Over 60 paintings from the great collection amassed in the mid-18th century by Sir Robert Walpole, and later bought by Catherine the Great of Russia, will return from St Petersburg to Houghton Hall. More than that, thanks to lists, inventories and even the recently discovered original hanging plans found neatly folded in a drawer in Walpole’s desk, most of the paintings will hang in the same positions that they occupied in the 1740s. The grandest will be back in the great gilded frames first designed for them by William Kent.

http://www.royalacademy.org.uk/ra-magazine/spring-2013/houghton-hall-return-journey,471,RAMA.html

***   ***   ***   ***

Generalisation Number 2

The majority of the British population think that –

  • Dolls’ Houses are toys.
  • Toys are for children.
  • Dolls’ Houses are for children and therefore “childish”.

In my experience, my most people, on seeing a dolls’ house item that does not fit into clear category of “a toy designed to be played with by children” (i.e. not plastic, not Lego, not packaged), will say –

“That’s nice. Isn’t is small. What’s it for?”

***   ***   ***   ***

How depressing can I be…?

I know of three magazines devoted to dolls’ houses and miniatures in the UK.

In no particular order they are –

The Dolls’ House Magazine

Dolls House and Miniature Scene

Dollshouse World

In the interests of research, I have spent the past couple of weeks trying to find any of these in my local shops.

However, they are not stocked anywhere locally and so, as I don’t read any of them on subscription, I can’t tell you anything about their contents.

Christiane Berridge is editor of The Dolls’ House Magazine and in a interview she described the typical reader of her magazine as –

Female, +45, family focused, general interest in crafts, a home-lover, her dolls’ house will be a form of escape from her ‘real’ life.

(The full interview is here – http://www.featuresexec.com/bulletin/interview_article.php?id=7483#.UZdI30p7TAk )

( By the way, there are plenty of magazines on model railways and model-making for war-gaming to be found in even my small, independent newsagent.)

***   ***   ***   ***

The point of all this being?

The UK dolls’ house world (as I know it) is very well hidden.

There is no way of showing places that don’t allow photographs.

There is no way of showing the work of makers who have absolutely no interest in having their work in magazines, let alone, perish the thought, on-line!

(You will have to trust me and believe that such people exist.)

So it is not possible to to show the very small, nearly invisible, secret, obscure, intensely creative British dolls’ house world that I know exists.

However, the weather has been appalling recently (rain, rain and more rain) and it has been impossible to take photographs, or make slideshows, so I have been using my “internet time” to play with Pinterest.

Firstly, because I needed somewhere to keep my “this might interest you to visit” links and then as a sort of a challenge –

I know about this, does it exist on-line?

Why doesn’t it exist on-line?

Is it called / masquerading as something else?

Found it !!!!

If you would like to see the result of my efforts so far, my miniscule Pinterest collection, it is here – http://pinterest.com/ohmep

Open House Miniatures on Pinterest

***   ***   ***   ***

Finally, if you find your blog or website on one of my Pinterest boards and would like me to remove it, please let me know and I will do so at once.

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I am about to abdicate responsibility again…

A little while ago I promised someone that I would demonstrate how to make a pop-up book “soon”.

“Soon” is taking me longer than I anticipated.

The week after next, however, I am planning to make some books.

The trouble is that there is more than one way to animate a book.

The ones that I made and photographed a while ago are not the simplest sort and, as an introduction to pop-ups, they may be a little off-putting.

Open House Miniatures - Theater Bildersbuch, single scene, Red Riding Hood

So I am going to be unfair and leave the choice up to you.

Shall I –

a) Do something simple – so that you can take the ideas away and use them to make something of your own (I will see what I can find by way of pictures)

b) Demonstrate one of my Theater Bilderbuch, with a pdf download for one of the following four scenes –

  • Little Red Riding Hood meeting the Wolf in the wood
  • Hansel and Gretel being chased by a (wonderfully irate) bear
  • The Adoration of the Magi – nativity scene
  • Christmas Eve – family scene

I am not going to say what I am going to vote for, only that I promise to be back to collect the results next Friday.

open_house_miniatures_poll_result_making_a_pop_up_book

If, like me, you are interested in theatres (and in books) and you would like to see an antique, full-size version of the Theater Builderbuch, there is one in the collection of the Victoria and Albert Museum. It can be viewed on-line here

While I was checking that the above link was working, I came across an article regarding the conservation of another late Victorian book that gives a tantalising view of a different sort of pop-up mechanism.

victoria nad albert museum punch and bunny

This is the book after it had been restored.

The full (highly detailed)

A 5mm LD45 Plastazote polyethylene foam was chosen as soft, strong and inert. Three pieces were cut, bevelled and melted with a hot spatula on each edge to make them smoother, wrapped in Japanese paper and adhered with wheat starch paste between the upper board and back drop…

article is here.

(I loved reading the article, then I started to wonder – which Japanese paper did they use?)

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