This type of clock is sometimes called a Cartel Clock. Cartel Clocks are usually made from gilded metal and designed to fit flat against a wall.
There is quite a story attached to the making of the clock, and the book that inspired it deserves a blog post of its own (which it will get shortly) but here (very briefly) is what happens in my version of Cinderella –
There is no big, booming clock to signal midnight because, in my experience, most drama happens quietly, and there is never a beautifully timed clap of thunder when you need one. Anyway –
The Prince and Cinderella were sitting on a gilded sofa and one of these clocks was on the wall, above their heads.
The Prince had just begun to say,
“Mysterious and Beautiful Maiden, will you marr …”
when the little clock started to whirr and then to chime – chinging, ting, ting…
“Oh !” exclaimed Cinderella, jumping up…
And the rest, as they say, is history.
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I don’t know if you have noticed, but I have just done two things that I usually avoid doing on this blog
I have used a richly coloured back ground and I have indulged in story telling.
Why have I done this?
Well, you know my boring, boring photographs and my long-winded explanations? Even I get fed up with them sometimes, however let us consider the alternatives…
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As a matter of interest it has taken me about 6 weeks to get from here –
to here –
– and now I am not at all certain that I like the metallic finish and I am going to have to look into alternatives.
So what about this clock?
I made the original clock from DAS modelling clay. I then made three moulds from this original, and I then cast three clocks from the three moulds.
I did think about making a slideshow about the whole process and then decided that Life Is Too Short.
The essential, minimum details are as follows –
I cast the clock in resin, rather than metal, for two reasons.
The main one was weight – in my experience, miniature metal clocks fall off walls with depressing regularity. Araldite seems to be the only thing that will keep them in place.
Secondly, if I had wanted a metal clock, I would have had to make my master in something like Milliput. I would also have had to send it away to be cast, because I do not have the equipment to do this myself. This would not necessarily have been the more expensive option, but I would have had no control of the process and making changes would have been difficult.
The finished clock is 2 and 1/8th of an inch long, just over 1 inch wide at the widest point and just under 1/4 of an inch deep at its deepest point (54 mm x 25 mm x 7 mm)
The clock dials are reproduced from antique scraps.
(By the way, did you know that most modern clocks are photographed with their hands at 10 minutes to two? This is supposed to give them a “smiley” face.)
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I bought the mould making and casting supplies from MB Fibreglass If you are interested in casting (on any scale), I can thoroughly recommend checking out their product range. Their service is excellent too.
I used –
Polycraft GP-3481-F General Purpose RTV Silicone Mould Making Rubber for the mould – http://www.mbfg.co.uk/rtv-silicone/gp-3481-f.html
Polycraft SG2000 Paintable Fast Cast Polyurethane Liquid Plastic Casting Resin for the clock – http://www.mbfg.co.uk/liquid-plastics/sg2000.html
This was the first time that I had used either of these and I was very impressed by the performance of both.
Last, but by no means least – I would like to thank Susan Mortimer (I am so very, very deeply jealous of her photographs) for bringing David Neat’s WordPress blog to my attention.
If you are interested in casting or working with paper / card to create models, I would urge you to take the time to visit it too – http://davidneat.wordpress.com/
His tutorials are clear, well-presented and full of essential detail and his (mainly London based) list of suppliers is truly impressive.